MycoMythologies: Patterning

My Body, a Coral Reef? @ Wilhelm-Hack-Museum, Ludwigshafen am Rhein, Germany
27 January – 07 May 2023

MycoMythologies series expresses deep admiration for the wisdom, work and legacy of Lion’s Mane Hericium erinaceus, Octavia E. Butler, Oyster mushroom Pleurotus ostreatus and Ursula K. Le Guin.

Prototype draft for acquiring permit from World Networks Entanglement:

“Infrastructural node in the World Networks Entanglement provides an epigenetic environment for mushroom Hericium erinaceus. As an offering human healer patternist Hericium donated her blood, sweat and tears to braid contamination, dosing it slowly into a fungal environment. Not to shock, but nurture, negotiate and form xeno-patterns in the central pattern of the Entanglement Flow. Contamination always elludes control and so does the node in question, however there is a wish to include and collaborate. A wish was built in the node to produce cartographies of contamination collaboration with the integrated mapping device: collecting micrographs of contamination, charting maps and building ever evolving and transforming Atlas of Collaborative Contamination. All this to outline relations, to allow the stories of multiplicities to emerge, to develop caring methods of connecting and entangling, to finally be able to navigate patterns of intra- and interspecies complexities. ”

Once the draft was scribbled Hericium started to wonder how we will ever learn to be many and diverse. Who knows. For her it was time to start prototyping the machine for cartographies of fungi-human ecologies. Permit or no permit, she sensed in the Flow that the world had a need.

MycoMythologies:Patterning is an installation which captures growing fungal landscape which is contaminated by the human microbiom – bacteria, fungi and archea derived from the blood, sweat and tears of the artist – with a microscope and analyzed by computer vision, rendered on three screens where they are mapped, sonified and collected into a database. The installation questions if we can see ourselves as entangled rather than sovereign, reflecting on contamination as productive exchange between different life forms.

EXHIBITIONS
Re:Tune, curator Alice Smits, Zone2Source, Amsterdam, Netherlands [March – May, 2021]
Biotroja Center, Prague, Czech Republic [July, 2021]
Artifizielle Ökologien, Kasseler Kustverein (KKV), Kassel, Germany [July – October, 2022]
My Body, a Coral Reef? @ Wilhelm-Hack-Museum, Ludwigshafen am Rhein, Germany [January 2023 – April]

Colophon

Saša Spačal: MycoMythologies: Patterning, 2021
biotechnological installation

Saša Spačal
Programming, mapping: Matic Potočnik
Sound, software design: Pim Boreel
Microbiology, technical support: Mirjan Švagelj
Sincere thanks: Toby Kiers, Loreto Oyarte Galvez, Malin Klein
Photographs: Marthe Vos, Saša Spačal

Production and support: Zone2Source, Projekt Atol, Toby Kiers Laboratory at Vrije Universiteit Amsterdam
Support: Ministry of Culture of Republic of Slovenia and City of Ljubljana

Nomination
Starts Prize Nomination 2021

Bio

Saša Spačal MA, a postmedia artist, merges living systems research with contemporary art, emphasising the interconnectedness of the environment-culture continuum within planetary metabolisms. Her artistic endeavours include developing caring biotechnological methodologies and interfaces that engage with both organic and mineral soil agents. In parallel, she explores the fragility of posthuman scenarios, intricately weaving mechanical, digital, and organic logics within the realms of contemporary biopolitics and necropolitics.

Her works were presented at venues such as ZKM | Center for Art and Media Karlsruhe [DE], Ars Electronica [AT], Centre de Cultura Contemporània Barcelona – CCCB [ES], Laboratoria Art & Science Foundation / New Tretyakov Gallery [RUS], National Art Museum of China [CHN], Museum of Contemporary Art Metelkova [SI], Onassis Cultural Centre Athens [GR], Transmediale Festival [DE], GHMP Prague City Gallery [CZ], Museum and Galleries of Ljubljana [SI], Museo Extremeño e Iberoamericano de Arte Contemporáneo [ES], Perm Museum of Contemporary Art [RUS], Chronos Art Centre [CHN], Museum of Contemporary Art Zagreb [CRO], Museum of Contemporary Art Vojvodina [SRB]. She received awards and nominations Ars Electronica Starts Prize [2021], Japan Media Art Award [2020], New Technological Art Award [2019], New Aesthetica Prize [2020], Prix Cube [2015] and Prix Ars Electronica [2015].

Saša Spačal